- SINGLE-SIDED REGULAR 27X41 NEW
- DESCRIPTION:Â Authentic original (or specified high quality reproduction) one-sheet movie poster.
- SIZE: Approx 27x40 inches unless otherwise stated.
It takes place during the Russian-Chechen war, but
House of Fools has the aura of the 1960s about it, specifically the anti-war picture of the
King of Hearts variety. Set in a mental hospital near the front lines, the movie poses the age-old question: what happens when the inmates take over the asylum? The doctors have fled from the fighting, so the patients create their own society. Julia Vysotsky, a livewire actress, plays the central role, a blissfully unbalanced woman convinced she is the girlfriend of the singer Bryan Adams (and, game for the challenge, Adams plays himself, endlessly crooning his hit "Have You Ever Really Loved a Woman"). Director Andrei Konchalovsky (
Runaway ! Train) finds suspense here, and also absurdity, but it's hard to see what the film adds to the roster of "war is hell" movies. The conflict in Chechnya deserves attention, but Konchalovsky overstates his case.
--Robert HortonUrodivoi - Holy Fools by Catherine Doherty Learn why humility is the foundation of the spiritual journey, and how to become one forever with the humble, glorified Christ. Uródivoi is a Russian word meaning ‘holy foolishness', and in this book, inspired by her Russian upbringing and the words of St. Paul, Servant of God and Madonna House founder Catherine Doherty expresses her calling to this aspect of Russian spirituality, and calls us to become fools for Christ. Touch the folly of the Crossâ€"God's wisdom. Know the peace of a repentant heart. Receive courage to proclaim the Gospel with your life. The soul, totally in love with God and therefore humanity, is called to become a fool, one of the humiliati, d! espised, poor, rejectedâ€"like Christ. This fool has the coura! ge to go anywhere to impart the Good News. Until the end of lifeIt takes place during the Russian-Chechen war, but
House of Fools has the aura of the 1960s about it, specifically the anti-war picture of the
King of Hearts variety. Set in a mental hospital near the front lines, the movie poses the age-old question: what happens when the inmates take over the asylum? The doctors have fled from the fighting, so the patients create their own society. Julia Vysotsky, a livewire actress, plays the central role, a blissfully unbalanced woman convinced she is the girlfriend of the singer Bryan Adams (and, game for the challenge, Adams plays himself, endlessly crooning his hit "Have You Ever Really Loved a Woman"). Director Andrei Konchalovsky (
Runaway Train) finds suspense here, and also absurdity, but it's hard to see what the film adds to the roster of "war is hell" movies. The conflict in Chechnya deserves attention, but Konchalovsky overstates his case.
--Robert! HortonAt a time when so much manliness is played out on computer keyboards and TV or videogame remote controls, it takes a certain degree of grit and guts and plain pigheadedness to pull up stakes and move to the country. For those brave souls, the backward-looking gentleman farmers of our fast-forward-looking age, Roger Welsch has a few choice words. To homestead in the Old West, the saying went, all you needed was forty acres and a mule. For the 21st century, Welsch contends that instead of a beast of burden one only needs the stubbornness of being a fool.
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In several hilarious essays, Welsch presents a guy’s guide to leaving modern miracles behind and embracing productive Ludditism. Made famous by his laconic pieces on CBS Sunday Morning (while wearing his signature overalls), Welsch takes on new subjects, and even elaborates the principles of feng shui for the farmhouse, barn, and farmyard. He draws on a lifetime’s worth of expe! rience to counsel prospective migrants to rural America on wha! t precis ely not to do. Learn from the mistakes of a master, and laugh harder than you thought possible while doing it. Roger Welsch is in fine fettle in Forty Acres and a Fool, a light-hearted look at rural upstarts that puts the delights of country living—and the occasional advantages of urban life—into rare perspective.
At a time when so much manliness is played out on computer keyboards and TV or videogame remote controls, it takes a certain degree of grit and guts and plain pigheadedness to pull up stakes and move to the country. For those brave souls, the backward-looking gentleman farmers of our fast-forward-looking age, Roger Welsch has a few choice words. To homestead in the Old West, the saying went, all you needed was forty acres and a mule. For the 21st century, Welsch contends that instead of a beast of burden one only needs the stubbornness of being a fool.
Â
In several hilarious essays, Welsch presents a guy’s guide to le! aving modern miracles behind and embracing productive Ludditism. Made famous by his laconic pieces on CBS Sunday Morning (while wearing his signature overalls), Welsch takes on new subjects, and even elaborates the principles of feng shui for the farmhouse, barn, and farmyard. He draws on a lifetime’s worth of experience to counsel prospective migrants to rural America on what precisely not to do. Learn from the mistakes of a master, and laugh harder than you thought possible while doing it. Roger Welsch is in fine fettle in Forty Acres and a Fool, a light-hearted look at rural upstarts that puts the delights of country living—and the occasional advantages of urban life—into rare perspective.
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