Foxy Brown

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Set in modern day Britain, Harry Brown follow's one man's journey through a chaotic world where drugs are the currency of the day and guns run the streets. A modest law-abiding citizen, Harry Brown is a retired Marine and a widower who lives alone on a depressed housing estate. His only company is his best friend Leonard (David Bradley). When Leonard is murdered by a gang of thugs, Harry feels compelled to act and is forced to dispense his own brand of justice. As he bids to clean up the run-down estate where he lives, his actions bring him into conflict with the police, led by investigating officer DCI Frampton (Emily Mortimer) and Charlie Creed-Miles. With its themes of rampant urban decay and crime, mistreatment of the elderly, and vigilantism, Harry Brown will inevitably be compared to earlier movies from Death Wish to Gran Torino. The compariso! ns are apt, but with the able assistance of Michael Caine in the title role, director Daniel Barber and screenwriter Gary Young's tale stands on its own, grimly but compellingly. Caine's Harry Brown, a retiree and former marine, lives alone in a flat in a decrepit London council estate, spending his time visiting his comatose wife in the hospital, playing chess at the local pub with his only friend (David Bradley), and gazing out at the quotidian violence and drug dealing carried out with virtual impunity by the insolent young thugs and lowlifes on the estate grounds. It's a lonely existence that only gets sadder when his wife dies and his pal is murdered; and when the police inform him that nailing those responsible will be next to impossible, Harry turns dirty. His first killing is in self-defense, but once he gets hold of a gun (obtained from a dealer-junkie in a nightmarishly vivid scene), it is on, as our "vigilante pensioner" takes no prisoners in his pursuit o! f street justice. The cops, who are mostly depicted as clueles! s and th oroughly inept, assume the local gangs are responsible; only Detective Inspector Alice Frampton (Emily Mortimer), about the only one with a brain and a heart, suspects Harry, and she plays an important role as the film careens towards its operatically brutal climax. The scenes of violence are intense but very well staged, and the film's overall look and downbeat color palette effectively convey the sense of squalid hopelessness permeating this stratum of British existence. Harry Brown isn't a lot of fun, but it will stick with you. --Sam GrahamSet in modern day Britain, Harry Brown follow's one man's journey through a chaotic world where drugs are the currency of the day and guns run the streets. A modest law-abiding citizen, Harry Brown is a retired Marine and a widower who lives alone on a depressed housing estate. His only company is his best friend Leonard (David Bradley). When Leonard is murdered by a gang of thugs, Harry feels compelled to act and ! is forced to dispense his own brand of justice. As he bids to clean up the run-down estate where he lives, his actions bring him into conflict with the police, led by investigating officer DCI Frampton (Emily Mortimer) and Charlie Creed-Miles. With its themes of rampant urban decay and crime, mistreatment of the elderly, and vigilantism, Harry Brown will inevitably be compared to earlier movies from Death Wish to Gran Torino. The comparisons are apt, but with the able assistance of Michael Caine in the title role, director Daniel Barber and screenwriter Gary Young's tale stands on its own, grimly but compellingly. Caine's Harry Brown, a retiree and former marine, lives alone in a flat in a decrepit London council estate, spending his time visiting his comatose wife in the hospital, playing chess at the local pub with his only friend (David Bradley), and gazing out at the quotidian violence and drug dealing carried out with virtual impunity by the insole! nt young thugs and lowlifes on the estate grounds. It's a lone! ly exist ence that only gets sadder when his wife dies and his pal is murdered; and when the police inform him that nailing those responsible will be next to impossible, Harry turns dirty. His first killing is in self-defense, but once he gets hold of a gun (obtained from a dealer-junkie in a nightmarishly vivid scene), it is on, as our "vigilante pensioner" takes no prisoners in his pursuit of street justice. The cops, who are mostly depicted as clueless and thoroughly inept, assume the local gangs are responsible; only Detective Inspector Alice Frampton (Emily Mortimer), about the only one with a brain and a heart, suspects Harry, and she plays an important role as the film careens towards its operatically brutal climax. The scenes of violence are intense but very well staged, and the film's overall look and downbeat color palette effectively convey the sense of squalid hopelessness permeating this stratum of British existence. Harry Brown isn't a lot of fun, but it w! ill stick with you. --Sam GrahamUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Subtitles ), ANAMORPHIC WIDESCREEN (2.35:1), SPECIAL FEATURES: Anamorphic Widescreen, Cast/Crew Interview(s), Commentary, Deleted Scenes, Interactive Menu, Music Video, Scene Access, SYNOPSIS: Set in modern-day Britain, Harry Brown follows one man's (Sir Michael Caine) journey through a chaotic world where drugs are the currency of the day and guns run the streets. A modest law-abiding citizen, Harry Brown is a retired Marine and a widower who lives alone on a depressed housing estate. His only company is his best friend Leonard (David Bradley). When Leonard is murdered by a gang of thugs, Harry feels compelled to act and is forced to dispense his own brand of justice. As he bids to clean up the run-down estate where he lives, his a! ctions bring him into conflict with the police, led by investi! gating o fficer DCI Frampton (Emily Mortimer) and Sergeant Hickock (Charlie Creed-Miles). ...Harry Brown

Do you worry that you're not paying enough attention to your investments? Do you feel left out when you hear about the clever things other investors seem to be doing? Relax. You don't have to become an investment genius to protect your savings. Distilling the wisdom of his thirty years' experience into lessons that can be applied in thirty minutes, Harry Browne shows you what you need to know to make your savings and investments safe and profitable, no matter what the economy and the investment markets do. There are no secret trading systems here, no jargon to learn. Instead, Harry Browne teaches you in simple terms to, among other things:

-Build your wealth on your career
-Make your own decisions
-Build a bulletproof portfolio for protection
-Take advantage of tax-reduction plans
-Enjoy yourself with a budge for pleasure

If you had to summarize ! Fail-Safe Investing in three words, it would probably be these: Embrace the obvious. Look at your job, Browne advises. You get ahead because of your experience, education, and common sense. Your job is the reason you have money to invest in the first place. So the first of Browne's 17 rules is, "Build Your Wealth upon Your Career." Don't jeopardize your career; it's going to take many years of smart investing before your earnings will surpass what you earn at your day job--if they ever do.

The other rules aren't quite as obvious, but equally simple. Browne explains the difference between investing (making a long-term plan and sticking with it) and speculating (betting that you can beat the overall market during a specific period). He shows how life savings are easily lost when you borrow money to invest rather than investing only the money you already have. Browne also suggests a portfolio that he says is the simplest and safest possible for continual! , steady returns above inflation: an equal division among sto! cks, bon ds, gold, and cash. That covers an investor in times of prosperity (stocks), inflation (gold), deflation (bonds), and recession (cash). While many investment analysts would undoubtedly gag if you presented them with a portfolio that consisted of a 50 percent investment in gold and cash, Browne nonetheless makes a compelling argument that such an allocation makes it easier to sleep at night. And common sense tells you there are worse things than a good night's sleep. --Lou SchulerShe's brown sugar and spice...and if you don't watch it, she'll put you on ice! Delivering a performance worthy of "the Queen of the genre" (Los Angeles Times), Grier portrays one of the screens first action heroines with humor, sensitivity and steely determination. This electrifying revenge thriller explodes with all the sex appeal and cooler-than-cool attitude of its irresistible leading lady. Foxy Brown (Grier) has found her soulmate in an undercover narcotics investigator, but when! he is brutally murdered, she swears vengeance against the crime ring responsible. Posing asa call girl to gain access to the ring's inner circle, Foxy discovers just how high the corruption extends, igniting a blistering war that takes her from the city streets to a remote drug laboratory to a breathtaking midair battle behind the controls of an airplane! But the most startling confrontations are yet to come as she schemes to bring down her boyfriend's killers in ways they never could have imagined.Pam Grier, the voluptuous queen of blaxploitation movies (and the foxy title character of Quentin Tarantino's Jackie Brown) reigns supreme in this kick-ass action flick. Bodacious nurse Foxy takes the law into her own hands after her main squeeze is murdered in cold blood. The standard revenge plot of Foxy Brown moves along on fast-forward, and the violence ratio (some of it quite gruesome) is high. Director Jack Hill, a master of the low-budget drive-in movie (! Switchblade Sisters), made Coffy with Pam Grier the! year be fore. This one's not quite as much fun, but it is decidedly kinkier, and the parade of 1970s fashion crimes is mind expanding. At one crucial moment Foxy saves herself by pulling a concealed revolver out of her mighty Afro--absolutely one of the high points of blaxploitation cinema. --Robert Horton Pam Grier, the voluptuous queen of blaxploitation movies (and the foxy title character of Quentin Tarantino's Jackie Brown) reigns supreme in this kick-ass action flick. Bodacious nurse Foxy takes the law into her own hands after her main squeeze is murdered in cold blood. The standard revenge plot of Foxy Brown moves along on fast-forward, and the violence ratio (some of it quite gruesome) is high. Director Jack Hill, a master of the low-budget drive-in movie (Switchblade Sisters), made Coffy with Pam Grier the year before. This one's not quite as much fun, but it is decidedly kinkier, and the parade of 1970s fashion crimes is mind expanding. At! one crucial moment Foxy saves herself by pulling a concealed revolver out of her mighty Afro--absolutely one of the high points of blaxploitation cinema. --Robert Horton

Smith & Wesson CK5TBS Bullseye Extreme Ops 4.1" 40% Serrated Black Tanto Blade

• Folding knife ideal for camping, fishing, hunting, and more
• Comfortable-to-hold black aircraft aluminum handle
• Partially serrated 3.22-inch stainless tanto blade
• Thumb rest and dual thumb studs for ambidextrous opening
• Stainless pocket clip and lanyard hole; weighs 2.8 ounces

A TELEVISION COMMERCIAL SHOOT IN AUSTRIAN ALPS FEATURINGEXTREME SKIING GOES TERRIBLY WRONG WHEN THE FILM CREW UNKNOWINGLY CAPTURES A WANTED SERBIAN WAR CRIMINAL ON FILM. IT'S A BATTLE FOR SURVIVAL BETWEEN THE WAR CRIMINAL AND THE EXTREME SPORTS ENTHUSIASTS.When an extreme-sports filmmaking team sets out to make a commercial featuring a gold-medal skier outrunning an avalanche, they run afoul of a Serbian war criminal hiding out in a mountain resort. So it's snowboards vs. bullets on steep slopes of snow--and if that's your thing, Extreme Ops is for you. There are also subplots a! bout the high-class skier (Bridgette Wilson-Sampras, House on Haunted Hill) trying to prove herself with the rough-and-tumble snowboard scamps, and various romantic sparks flying, but the only real point to this movie is lengthy shots of stuntpeople zipping down the mountainsides. Though it could stand to have less plot and more action, there's a good dose of spectacle nonetheless. Rufus Sewell (Dark City), Devon Sawa (Final Destination), and the cast do a serviceable job, but poor Brit Rupert Graves (excellent in Mrs. Dalloway) was forced to act through a terrible American accent. --Bret FetzerThe blade has a thumb rest and dual thumb studs for ambidextrous one hand opening. The stainless steel handle with black G10 inset, 4.32" closed, has a liner lock and lanyard hole. A removable stainless steel pocket clip is included.The Smith & Wesson CK5TBS Extreme Ops serrated knife is ideal for camping, hunting, fishing, and a host of oth! er applications. The folding knife offers a comfortable black ! aircraft aluminum handle that measures 4.06 inches long, along with a 3.22-inch partially serrated stainless tanto blade that cuts through everything from vegetables to fishing line. The blade also secures tightly via the liner lock, but opens quickly with either hand thanks to the thumb rest and dual thumb studs. Other features include a stainless pocket clip and a lanyard hole. The knife weighs 2.8 ounces and carries a limited lifetime warranty.

Dear Wendy

• Directed by Thomas Vinterberg (The Celebration) and written by Lars von Trier (Dogville), Dear Wendy is an audacious and stylish exploration of guns and violence in America. When a young loner named Dick (Jamie Bell) discovers a vintage handgun, he finds himself strangely drawn to it in spite of his pacifist views. Soon he forms a secret club with other misfits in his town who collect and revere a

Directed by Thomas Vinterberg (The Celebration) and written by Lars von Trier (Dogville), Dear Wendy is an audacious and stylish exploration of guns and violence in America. When a young loner named Dick (Jamie Bell) discovers a vintage handgun, he finds himself strangely drawn to it in spite of his pacifist views. Soon he forms a secret club with other misfits in his town who collect and revere antique guns and refer to themselves as "The Dandies." But despite their firm belief in the most importan! t Dandy rule of all - "never draw your weapons" - they eventually discover that some rules are meant to be broken.

Going Long: Training for Triathlon's Ultimate Challenge (Ultrafit Multisport Training Series)

• ISBN13: 9781934030066
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Erin (Drew Barrymore) and Garrett (Justin Long) strike sparks for a summer fling in New York City but neither expects it to last once Erin heads home to San Francisco and Garrett remains behind for his Big Apple job. But after six romantic weeks, neither is sure they want it to end. So despite opposing coasts, naysaying friends and family and unexpected temptations, the couple just might have found something like love. And helped by a lot of texting and late-night phone calls, they might actually go the distance. Going the Distance sparkles with wit and true romance--something of a rarity among mass-market romantic comedies. Drew Barrymore and Justin Long, who have been a couple in real life, us! e their personal chemistry to effective ends in the film. They play Erin and Garrett, geography-crossed lovers who, after a whirlwind romance of six weeks in New York ("Keep it light! Keep it light" they both say, futilely), try to see if they can keep the love fires burning when Erin must move to the West Coast. There are predictable pitfalls and speed bumps that populate any romantic comedy, as well as a sublime supporting cast of friends and siblings. Especially notable is Christina Applegate as Erin's sister, Corinne, jaded and hilarious, and fiercely protective of her sister. But the charm of Going the Distance is in the winsomeness of its main stars. Barrymore and Long seem to be acting effortlessly, and their enjoyment of each other's company lets the audience feel a part of the romance. First-time screenwriter Geoff LaTulippe is less focused on zingers that are hard to believe as dialogue, and more on the subtle ways people get to know each other, and enjoy e! ach other--especially with humor. Director Nanette Burstein (d! ocumenta ries including American Teen and The Kid Stays in the Picture) keeps the action moving deftly and lets the two stars shine--even as they long for one another across the miles. Erin and Garrett's stab at phone sex is laugh-out-loud funny, yet their tender, tentative connection feels real and warm. Going the Distance lets its likable stars cross the finish line, and bring the audience along with them. --A.T. HurleyBuckle your seat belts for extreme comedy National Lampoon(r) is taking you on the road! In the bawdy tradition of American Pie and EuroTrip, this rapid-fire fun fest is the ultimate coming-of-age experience, where the envelope gets pushed, the rules get broken and the laughs come a mile a minute! When three hard-up high school grads jump in an RV and skip town, they have no idea it's going to be the most outrageous ride of their lives! Encountering every kind of cross-country crazinessfrom meeting beautiful hitchhikers and Avril Lavigne t! o running afoul of the law, two brutal bar babes and a bigwig on the music scene (Jason Priestley) these helplessly hedonistic horndogs are in for the ultimate education!

Going Long is the most comprehensive guide to racing long-course triathlons ever written. Combining science with personal experience, Friel and Byrn prepare every triathlete, from the working age-grouper to the podium contender, for success in triathlon’s ultimate endurance event. Sport-specific chapters outline training for each triathlon discipline and describe drills to improve form and efficiency. A newly expanded section on training the mind explores the all-important psychological aspects of racing, including goal-setting and visualisation. A detailed appendix includes key training sessions, workout examples, and strength training progressions.

Going Long has long been the best-selling book on the subject of training for the long course. With expanded content ! and a new, two-colour format, this second edition is once agai! n the pr emier sourcebook for triathletes who are serious about succeeding in the long-course distance.