The Cat in the Hat

• Hardcover
• Juvenile beginning reading
• Stories with verses
• Rhymed verses.
• English

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 82 minutes
DR. SEUSS:CAT IN THE HAT - DVD MoviePoor Dick and Sally. It's cold and wet and they're stuck in the house with nothing to do . . . until a giant cat in a hat shows up, transforming the dull day into a madcap adventure and almost wrecking the place in the process! Written by Dr. Seuss in 1957 in response to the concern that "pallid primers [with] abnormally courteous, unnaturally clean boys and girls' were leading to growing illiteracy among children, The Cat in the Hat (the first Random House Beginner Book) changed the way our children learn how to read.
He may be an old standby, but he never lets us down. When in doubt, turn to the story of the cat that transfo! rmed a dull, rainy afternoon into a magical and just-messy-enough adventure. There's another, hidden adventure, too: this book really will help children learn to read. With his simple and often single-vowel vocabulary, the good Doctor knew what he was doing: hear it, learn it, read it--laughing all the way. The Cat in the Hat is a must for any child's library.

Apocalypse Now (Apocalypse Now / Apocalypse Now Redux / Hearts of Darkness) (Three-Disc Full Disclosure Edition) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Closed-captioned; Dolby; DTS Surround Sound; Special Edition; Subtitled; Widescreen

Digitally remastered with 49 minutes of previously unseen footage, Apocalypse Now Redux is the reference standard of Francis Coppola's 1979 epic. A metaphorical hallucination of the Vietnam War, the film was reconstructed by Coppola and editor Walter Murch to enrich themes and clarify the ending. On that basis Redux is a qualified success, more coherent than the original while inviting the same accusations of directorial excess. The restored "French plantation" sequence adds ghostly resonance to the war's absurdity, and Willard's theft of Colonel Kurtz's beloved surfboard adds welcomed humor to the film's nightmarish upriver journey. An encounter with Playboy Playmates seems superfluous compared to the enhanced interplay between Willard and his! ill-fated boat crew, but compensation arrives in the hellish Kurtz compound, where Willard's mission--and the performances of Martin Sheen and Marlon Brando--reach even greater heights of insanity, thus validating Redux as the rightful heir to Coppola's triumphantly rampant ambition. --Jeff Shannon APOCALYPSE NOW REDUX - DVD MovieApocalypse Now / Apocalypse Now: Redux
In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the horrors of the Vietnam War, foll! owing a battle-weary Captain Willard (Martin Sheen) on a secre! t uprive r mission to find and execute the renegade Colonel Kurtz (Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving wartime action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images, and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways on a peasant sampan and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife, Eleanor) informs every scene ! and every frame, and the result is a film for the ages. --Jeff Shannon

Hearts of Darkness
Hearts of Darkness is an engrossing, unwavering look back at Francis Coppola's chaotic, catastrophe-plagued Vietnam production, Apocalypse Now. Filled with juicy gossip and a wonderful behind-the-scenes look at the stressful world of moviemaking, the documentary mixes on-location home movies shot in the Philippines by Eleanor Coppola, the director's wife, with revealing interviews with the cast and crew, shot 10 years later. Similar to Burden of Dreams, Les Blank's absorbing portrait of Werner Herzog's struggle to make Fitzcarraldo, the film chronicles Coppola's eventual decent into obsessive psychosis as everything that could go wrong does go wrong. Storms destroy sets, money evaporates, the Philippine government continually harasses the director, Coppola has romantic affairs, and he can't write the story's ending. Everything is captured! on film. In the most disturbing scene, we watch Martin Sheen ! have a d runken nervous breakdown while his director goads him on (he eventually suffered a heart attack, but finished the film).

Other incredible footage is not visual, but aural as the film includes tapes Eleanor Coppola recorded without Francis's knowledge. In them, he truly sounds like a madman as he confesses his fears about making a bomb of a movie. But while Hearts of Darkness is an amazing, voyeuristic experience, its importance lies in the personal reflections offered by those involved. Sheen, Coppola, and Dennis Hopper speak frankly without embarrassment, offering us an essential piece of film history. --Dave McCoyFrancis Ford Coppola's timeless classic comes to Blu-ray for the first time!

This 3-Disc Deluxe Edition includes Apocalypse Now and Apocalypse Now Redux in stunning new transfers supervised by Francis Ford Coppola - and presented for the first time in their original 2.35:1 theatrical aspect ratios. Also included is the feature-length making! -of documentary Hearts of Darkness, presented in a new 1080p HD transfer.

Additional features include a 48-page collectible booklet with never-before-seen archives from the set, over 9 hours of bonus features, plus a storyboard gallery, image galleries, marketing archives and an original script excerpt from John Milius featuring hand-written notes from Coppola.Apocalypse Now / Apocalypse Now: Redux
In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the horrors ! of the Vietnam War, following a battle-weary Captain Willard (! Martin S heen) on a secret upriver mission to find and execute the renegade Colonel Kurtz (Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving wartime action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images, and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways on a peasant sampan and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife, Elean! or) informs every scene and every frame, and the result is a film for the ages. --Jeff Shannon

Hearts of Darkness
Hearts of Darkness is an engrossing, unwavering look back at Francis Coppola's chaotic, catastrophe-plagued Vietnam production, Apocalypse Now. Filled with juicy gossip and a wonderful behind-the-scenes look at the stressful world of moviemaking, the documentary mixes on-location home movies shot in the Philippines by Eleanor Coppola, the director's wife, with revealing interviews with the cast and crew, shot 10 years later. Similar to Burden of Dreams, Les Blank's absorbing portrait of Werner Herzog's struggle to make Fitzcarraldo, the film chronicles Coppola's eventual decent into obsessive psychosis as everything that could go wrong does go wrong. Storms destroy sets, money evaporates, the Philippine government continually harasses the director, Coppola has romantic affairs, and he can't write the story's ending! . Everything is captured on film. In the most disturbing scene! , we wat ch Martin Sheen have a drunken nervous breakdown while his director goads him on (he eventually suffered a heart attack, but finished the film).

Other incredible footage is not visual, but aural as the film includes tapes Eleanor Coppola recorded without Francis's knowledge. In them, he truly sounds like a madman as he confesses his fears about making a bomb of a movie. But while Hearts of Darkness is an amazing, voyeuristic experience, its importance lies in the personal reflections offered by those involved. Sheen, Coppola, and Dennis Hopper speak frankly without embarrassment, offering us an essential piece of film history. --Dave McCoy

Freud 99-036 Adjustable Tongue and Groove Bit Set, 1/2-Inch Shank

• Features Freud's TiCo Hi-Density Carbide with Titanium for long life and a flawless finish
• Adjustable at .002-Inch increments for stock thickness of 1/2-Inch to 1-1/4-Inch and groove widths of 7/32-Inch to 3/8-Inch
• Freud's exclusive design features a tongue cutter with opposing shear angles to ensure a flawless finish
• Perfect for producing Shaker style cabinet doors
• Cuts all composition material, plywood, hardwoods and softwoods.

The screenplay for the major motion picture The Door in the Floor, based on the #1 national bestseller A Widow for One Year by John Irving

In Irving’s introduction to Tod Williams’s screenplay, John Irving calls the script “the most word-for-word faithful translation to film of any of the adaptations written from my novelsâ€"including my own adaptation of The Cider House Rules.” Yet Williams h! as made a radical and insightful choice: namely, to tell only the first third of Irving’s long, dark novel.

In this part of the story, sixteen-year-old Eddie O’Hare, an aspiring writer, believes he has landed the perfect summer job when he is hired as the personal assistant to the successful children’s book illustrator and author Ted Cole. But the Coles are a family marked by tragedy. Their two teenage sons were killed in a car accident; Marion Cole, the boys’ mother, has never recovered from their loss. Ted and Marion have temporarily separated, and their living arrangements, which involve their four-year-old daughter, Ruth, areâ€"especially to Eddie’s limited experienceâ€"baffling. Ted seems to be having an affair with his model, the acerbic Mrs. Vaughn, and Marion and Eddie increasingly find themselves alone together or alone with Ruth.

The Door in the Floor is a smooth and vivid adaptation of the darkest, most disturbing part of A Wido! w for One Year.Lizzie Blue befriends Effie Mae at a time i! n our hi story when white and black girls were not allowed to be friends. Their time together is short, but their feelings for each other run deep. Lizzie grows up a lot on her tenth birthday as she begins to learn about prejudice and discrimination.An industry leader for over 50 years, the Freud name equals quality, precision and craftsmanship. Freud router bits feature Freud made TiCo Hi-Density Carbide for maximum cutting life. Each bit is individually balanced, giving a cut above the rest. Trim carpenters, remodelers, and woodworking enthusiasts can now mill molding of almost any size, shape and configuration to add beautiful detail to match existing trim or create an all new look. All thats required is a 2-1/4 HP or larger router, a sturdy router table and fence, and a selection of bits from Freuds Architectural Molding Series. The adjustable tongue and groove bit set produces perfectly fitted tongue and groove joints for projects such as shaker style cabinet doors. Exclusiv! e Freud design features a tongue cutter with opposing shear angles to ensure a flawless finish for stock thickness of 1/2" to 1-1/4". Groove cutter adjusts at .002" increments for groove widths of 7/32" to 3/8".The Freud Difference
Freud manufactures some of the most innovative, technologically advanced saw blades in the world. To ensure that the highest quality products meet the toughest design standards, Freud owns and operates six manufacturing facilities in Western Europe. Freud is one of the few manufacturers of woodworking tools in the world that produces its own MicroGrain carbide with titanium, called TiCo -- a combination of titanium and cobalt. Freud develops different types of carbide for each application to maximize the cutting life and performance of the tool; and Freud also operates one of the most modern product development research centers in Europe. By overseeing the entire manufacturing process from start to finish, Freud guarantees some of the ! highest quality, most advanced products in the industry.

About Freud's Industrial Bits
Serious woodworkers choose serious accessories. They choose Freud. The Freud name equals quality, precision and craftsmanship. Freud router bits feature TiCo Hi-Density Carbide for maximum cutting life and are individually balanced; providing a cut above the rest. When you’re looking for a serious router bit, look for Freud red.

About this Adjustable Tongue and Groove Bit Set
Freud's adjustable tongue and groove bit set is ideal for producing perfectly fitted tongue and groove joints. Freud's exclusive design features a tongue cutter with opposing shear angles to ensure a flawless finish. These bits are adjustable at .002-inch increments for stock thickness of 1/2 to 1-1/4-inch, and groove widths of 7/32 to 3/8-inch. The tongue bit diameter is 1-3/4-inch, 7/32-3/8-inch carbide height, 1/2-inch shank, 3-1/4 inches overall. Groove bit diameter 1-3/4-inch, 13/16-inch 1-11/32-inch carbide height, 1/2-inch shank, 2-11/16 inches ove! rall.

Applications
Use this set to produce perfectly fitted tongue and groove joints for projects such as Shaker style cabinet doors. These bits cut all composition materials, plywoods, hardwoods, and softwoods. They are designed for use with table-mounted portable routers.

Warranty
These bits are covered by Freud's limited lifetime warranty.